Ladytron

Ladytron is a British electronic band that was formed in Liverpool in 1999. The band consists of four members – Helen Marnie, Mira Aroyo, Daniel Hunt, and Reuben Wu.

The band’s name is derived from the song “Ladytron” by Roxy Music. Ladytron music is a blend of new wave, synth-pop, and electronic dance music. Their music is known for its use of vintage synthesizers and drum machines, combined with haunting vocals and atmospheric soundscapes.

Ladytron has released seven studio albums to date, with their self-titled debut album being released in 2001. Some of their most popular songs include “Destroy Everything You Touch,” “Ghosts,” and “Seventeen.”

The band has also gained a reputation for their visually stunning live performances, featuring elaborate light shows and projections.

Ladytron has been influential in the development of electronic music, and their music has been featured in a variety of films, TV shows, and commercials. Ladytron is a highly regarded electronic band that has made a significant contribution to the music industry.

Ladytron announced their new album in October 2022. The album, titled Time’s Arrow, is their seventh studio album and the first release since their 2019 album Ladytron. The album title Time’s Arrow refers to the concept of time as an irreversible, unidirectional force. The idea that time only moves forward and never backwards is a central theme throughout the album’s lyrics.

The band announced the album via their social media channels, including Facebook, Twitter, and Instagram.

The album was produced by Jim Abbiss, who has previously worked with the Arctic Monkeys and Adele. It features 13 tracks, including the singles “The Animals” and “Far From Home”.

The band described the album as a return to their “heavier, darker” sound, with more emphasis on their electronic roots. The album has been well-received by both fans and critics, with many praising the band’s ability to evolve their sound while still staying true to their roots.

Time’s Arrow released on January 20, 2023.

City of Angels

City of Angels is a hauntingly beautiful track that showcases the band’s ability to create an atmospheric sound that draws listeners in. From the moment the song begins, the listener is transported to a different world, one that is both dark and alluring.

The track starts with a simple, yet powerful beat that is quickly joined by a haunting melody played on a synthesizer. The vocals are delivered with a detached and almost robotic quality that adds to the otherworldly feel of the song. The lyrics describe a city that is both beautiful and dangerous, where the streets are lined with broken dreams and shattered hopes.

As the song progresses, the instrumentation builds, with layers of synths, guitars, and drums adding to the overall sound. The chorus is particularly powerful, with the vocals soaring over the driving beat and the swirling synths. The bridge section of the song is particularly effective, with a breakdown that strips away the layers of sound, leaving just the vocals and a simple melody played on a synth.

Faces

Faces is one of Ladytron lead singles. It was released in 2022. The song features Helen Marnie’s haunting vocals over a pulsating electronic beat.

A press release describes the song like so: “Over an echoing disco soundscape, Faces with title taken from the Cassavetes film of the same name, evokes bittersweet longing and euphoric escape, with expansive synth heavy production recalling 1970s euro diva Amanda Lear.”

The music video for “Faces” was directed by band member Daniel Hunt. Inspires by Chris Marker’s short film La Jetee and the Italian Giallo genre.

Fight from Angkor

The song Fight from Angkor is unique and showcases the band’s musical talent. The lyrics and the handling of time are interesting. However, I think the song could benefit from a stronger chorus or hook to keep the listener engaged. Additionally, some of the instrumentals felt a bit repetitive. Overall, it’s a decent track, but not one of my favorites from Ladytron. Despite this, I must admit that the song does have some redeeming qualities. In particular, it reminds me of the band Strawberry Switchblade, which I am quite fond of.